Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage.How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties? Or you could always save up for a Wampler. I hope this helps you make a good informed decision! In this price range you'd be better off with a Marshall Jackhammer or Boss Metal Zone. It's all about getting the amp's settings just right, such as, using a bit of gain on the amp itself. I put the pedal through the clean channel and got it to sound almost just as good as the lead channel. I once tested this theory on my old Traynor YCS100H1. However, like most distortion pedals, even this one can work in front of a decent amp, (especially tube). Just a tip though: if you get this as a band-aid for a bad amp, you will regret it.
A gain level dial is a glaring omission.Īt $40, (the current price), it's a tempting buy. The lows are muddy, the treble is harsh, (mids are ok), and the distortion is too much.
The sound quality is where this pedal really suffers. One thing I actually enjoyed was the mixer-out that gives you a line-level signal complete with cab emulation. It doesn't take much fiddling to get the best out of it. It is quite easy to use though, no stacked dials like on the MT-2. There are probably worse distortion pedals out there, (like the DOD), but this is the worst I have ever tried. This pedal gets a lot of hate, it's mostly warranted. Power Consumption: 4.8Watts (w/optional PS200R power supply)īattery Life: Approximately 18 hours (with continuous usage)ĭimensions: 4 15/16"(L) x 3 1/8"(W) x 2 1/8"(H) The Mixer output features Cabinet Emulation circuitry for connecting directly to a mixing board or recording device. The Amp output is for connecting directly to a guitar amplifier. High adjusts boost and cut of high frequencies.Mid adjusts boost and cut of midrange frequencies.High adjusts boost and cut of upper harmonics.Low adjusts boost and cut of bass frequencies.Level boosts the output level of your guitar signal.Don't settle for anything less than what DigiTech can offer. When it comes to your tone, why settle for limited control.
#Digitech deathmetal License number#
Your guitar is guaranteed to cut through with a tone so big and fast it will leave people spinning in their seats wondering what the license number of the jet was that just passed by!Īs always expected from DigiTech, this pedal comes in a rugged sturdy metal chassis with dual amp and mixer outputs giving you even more tone options.
#Digitech deathmetal full#
If there was ever a ceiling to how much distortion you could pack into a pedal the Death Metal Pedal shattered through it doing a million miles an hour! The legendary Death Metal pedal gives you FULL tonal control of this massive amount of gain by giving you level, low, mid, and high controls allowing you to flexibly shape the tone of the pedal into YOUR tone. Recorders, Classroom & Plastic Instruments.Signal Processors, Converters & Preamps.The unique cabinet emulation means you can use the Death Metal pedal as an amplifier allowing you to take your high gain tone with you on the go ready for when inspiration strikes. Incorporating both an amplifier output and a mixer output you can connect the Digitech Death Metal to your amplifier in your signal chain or directly to a mixer and use the built in cabinet emulation to provide a fierce and thick tone. Additionally you can also create softer gain tones and fine tune your tone with the on board low, middle and high equalization. Designed for metal guitarists the Digitech Death Metal is capable of producing fierce and aggressive high gain tones that are sure to cut through any live mix.
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